March 27th, 2017 / 2 Comments

Robert Pattinson for Dior Homme Black Carpet Collection

I love the experience when you’re reading a magazine and turn the page and see:

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Thanks Posh.,

March 4th, 2017 / No Comments

The Lost City of Z is featured in the March edition of SO FILM magazine

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Translation via Google

Darling of movie-goers, James Gray has managed to finish his most ambitious project, the door of heaven to him – the United Artists ready to run to him and less. The journey of this little delicate intelligent redhead from Queens in the depths of the jungle deserves to take stock, looking carefully at the mapto ask yourself: what exactly is the cinema of Gray?
The films of James Gray are  always characterised by a great righteousness. His movies are straight lines indeed like those of the subway tracks sabotaged in The Yards, his second achievement in 2000. That is the first rectitude, that tragic railthat often seems to slide without to find the good turnout for change of itinerary. If there are flightsspirals of acceleration or hot flashes excitement, Gray is naturally on frames very posed and composed. And If he is a cinephile, he is empowered as a neoclassical : it doesn’t slice referencesHe replays them to him suffocated, macerated in the impeccable grey-brown, the greys, his photo. Strength and limited first so: that unstoppable side in elegance and also seriously. The lips are still also straight Gray’s House: not humor and little smiles at him if this is in the singular Two Lovers (2008)When Joaquin Phoenix played an endearing ninny wide shoulders, torn between two women, finally in the foreground without being mothersBecause this righteousness of Gray is of course before all male: for the most part,.his characters are the avatars of a manhood bit talky, cut off from his desiresmaking sure to give the appearance of a block When it is, in all likelihoodcracked everywhere. An old modelwhich film has worn and worn until the rope. Unable to grant the circumstances and unreadable heartsThese guys here cling to rigiditywhether conquering or scowling. We stick to a single line, and on the decreed right, persists to the end the end and when you care more, jump on another line where as righteousness Paradoxically, eventually seem twisted:  Gray men are capable of abrupt,  unexplained reversals. This s not a case of duplicity: maybe they simply lack imaginationAlso uncontrollable may they seemmad dogs most often align the family homeIn these circumstances, Gray does not. He must instead state that it is inevitable who always lands him top this area grey between realism and refusal of the elucidation psychological, silence and temptation of emphasis: bullies always end by quit a big statement solemn love, at the edge of the religious revelation. The  filmmaker is too smart not to understand that This manhood there is possibly only renunciation, blindness or simply comfort. So far, Gray is itself stayed home, filming only sound New York native and family executivesIn addition twice anchored in his community of origin, that of the Jews Russians. From this point of view, it is also right in the sense of honest: he does not hide homebodies inclinations. Be sincere, however, does not protect completely from the Ronron. We Own the Night (2007) in was the curious allegory: at Trac, a party animal became a COP like of other men in his family, as is it was only celebrate the strength (including neoclassical) order.

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February 5th, 2017 / 1 Comment

Dior Rob need I say more.

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Thanks Posh.

February 5th, 2017 / No Comments


Percy Fawcett is a recognized British Colonel and a loving husband. In 1906, when he was about to become a father, the Royal Geographical Society offers him to go to the Amazon in Bolivia. At the site, the man, who has a passion for exploration, discovers traces of what he thinks is a very old lost city. Back in England, Fawcett constantly thinks of this mysterious civilization, tugging between his love for his family and his thirst for exploration and glory… (Translated via Google)

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January 3rd, 2017 / 1 Comment

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It appears Cahiers du Cinéma has featured Robert Pattinson “Good Time” as part of their most anticipated films of 2017.

Thanks to Posh who translated for us:  Josh Safdie sent them the picture and he explains that they were shooting in a real prison in Queens with friends who had friends with criminal records that had been in jail only a few weeks before the shooting.  They also cast previous guards to play the prison guards.  They recreated Rikers Island the biggest prison in New York.  The photo was taken in the Day Room  with a general des sangs 3 stars – the most notorious one from american gangs who was kind and charismatic and named Jerome.


Coming Soon “Good Time” by the Safdie Brothers ! This is it @cahiersducinema with @booger_nose and @bowedtie ! Enjoy Guys ! #GoodTime #SafdieBrothers #RobertPattinson #CahiersDuCinema #Queens #NewYork #Paris #France #Winter #January #2017

A photo posted by Germain Le Carpentier (@germain_le_carpentier) on

December 29th, 2016 / No Comments

I should warn you, there is no mention of Robert in this article/interview.  Still a good read though.

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Thanks Posh.

Current Mood
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Rob’s Promo Schedule
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  • Rob’s Film Schedule
    The Batman Role: Bruce Wayne | Batman
    Director: Matt Reeves
    Release Date: 4 March 2022. Filming complete 13 March 2021. Check out our film page for updated release dates by clicking "News" below.

    Tenet Role: Neil
    Director: Christopher Nolan
    Release Date: 26 August 2020 - check out our film page for all upcoming theatrical and DVD release dates by clicking on "News" below

    Waiting for the Barbarians Role: Warrant Officer Mandel
    Director: Ciro Guerra
    Release Date: Australia on Digital & DVD 7 October 2020. To find other release dates head over to our dedicated film page by clicking on "News" below.

    The Devil All the Time Role: Preston Teagardin
    Director: Antonio Campos
    Release Date: 16 September 2020 - currently screening on Netflix

    The Stars at Noon Role: Unamed Englishman
    Director: Claire Denis
    Release Date: 2021 possibly 2022 due to COVID-19. Pre-Production: 18 February 2020 (Filming rumoured April 2021 but looks like will be delayed due to Claire working on another project).

    The Lighthouse Role: Ephraim Winslow
    Director: Robert Eggers
    DVD releases at Film Page - click News below

    The King Role: The Dauphin of France
    Director: David Michôd
    Release Date: World Premiere (Out of Competition) Venice Film Festival 2019 2 Sept 2019 | Still available on Netflix.

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