Hannah Aspropoulos shares her black and white photo of Robert Pattinson at Life premiere Berlinale 2015

Hannah Aspropoulos always shares great black and white photos she’s taken of Rob on her instagram. Today she spoilt us with this flashback from Life premiere at Berlinale back in 2015.

Joanna Hogg Talks About The Souvenir: Part 1 with Collider

Joanna Hogg was interviewed by Collider at Sundance and this is what she had to say (at around 11.46) about:

• What it’s like screening The Souvenir knowing that the sequel is scheduled to shoot this summer.
• A brief tease of what’s to come in The Souvenir 2.

The video autoplays so I have paced behind the cut

New Portrait of Robert Pattinson from San Sebastian Film Festival in September 2018

Love that we still get surprised with photos.

Robert Pattinson #HighLife at Film Festival in Australia

Joanna Hogg was inteviewed during Sundance and at the end of this interview at around 2.15 she mentions that she always planned to make two films and that The Souvenir: Part II isn’t a sequel in the traditional sense and that he’s glad she didn’t shoot the two films back to back.

In case you haven’t been following on Social media, The Souvenir: Part I has been receiving fabulous reviews.

From Little White Lies:

The spirit of the 1980s is evident both in the soundtrack (Bronski Beat, The Specials and The Psychedelic Furs all feature) and politics of a film that wrestles with notions of class privilege and blossoming female desire, as well as ideas about ‘female art’ and the female artist as perceived by men. A wry wit sparkles throughout, and means that when the heartache eventually comes it does so with real emotional impact.

Most intriguingly of all, it has already been announced that The Souvenir will receive a sequel – Hogg is currently working on the script, and Robert Pattinson is set to co-star with Swinton-Byrne, reprising her role as Julie. It feels as though this film barely scratches the service of its fascinating central character, and and it’s truly exciting to have a filmmaker as honest and articulate as Hogg working today.