The Cinegogue tweeted these set photos of Rob and the photo above is new to me. You can check out all other set and BTS photos at our gallery

UPDATED: 30 September 2021

Denis Guignon shared two more photos of Rob one being a full colour version of the black and white below.

28 September 2021: Denis Guignon shared 2 photos on his instagram when he was bodyguard to Rob at Deauville Film Festival in September 2017 and then I noticed these two black and whites he posted last year that I don’t think I’ve shared before.

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A post shared by Denis Guignon (@guignondenis)

I cannot believe Yellow Moth Makeup got to apply tattoos daily on Rob during production of Good Time but here’s her proof.

“Good Time” 2016 - Directed by Joshua and Ben Safdie

Special Effects Makeup: Applied silicone swollen eye prosthetic and tattoos daily (Robert Pattinson)”

Yellow Moth Makeup

Thanks Pattinson Photos for heads up.

I love it when photogs share their photos and call Rob a “sex symbol”. This is new to me.

This photo is new to me and it looks like it’s from the day that Rob was on Howard Stern’s radio show if I’m going off what Rob is wearing. In any event it is definitely during Good Time promo in 2017. Great photo.

The Film Stage posted an article recommending books on film making. It caught my eye because it mentioned David Cronenberg, but interestingly enough it was Tim Grierson who mentioned Rob. This is what he had to say about Rob’s performance in Good Time:

The style of critic Tim Grierson’s This Is How You Make a Movie is simple but startlingly effective. Over nearly 200 pages, Grierson devotes a page each to a film that showcases a different style of acting, directing, editing, writing, and lighting and camera technique. One example is the Safdies’ Good Time, which Grierson slots under the acting heading—in this case, “Motivation,” and “Finding the core of an unlovable character.” “On paper,” Grierson writes of Robert Pattinson’s Connie, “this is a character who would be hard to root for. And yet, Pattinson makes him compelling. No one would describe Connie as ‘lovable,’ but the actor burrows inside him in such a way that this small-time hood has an internal logic that makes sense.”