I love me some new Neil – watched the film again on Netflix last weekend.
I love me some new Neil – watched the film again on Netflix last weekend.
Aussies if you have Netflix make sure you set your reminder for Tenet which is being released in Australia on Wednesday 16 June 2021. I know what I’ll be doing Wednesday night!
Thanks Cindy for reminder.
Cindy also let me know the following re The Lighthouse and Waiting for the Barbarians on Amazon Prime
UPDATE 17 JUNE 2021: TENET is also on FOXTEL. It will screen on Saturday 19 June 2012 but is also currently available on FOXTEL GO.
Another day and more lovely words said about Rob by Lorenzo Agius “Darling Mr Pattinson. A very sweet special person. I loved his energy when shooting him.” There’s a reason for that – he’s a very special human. You can check out the other photos by Lorenzo for Tenet promo in our gallery
Tenet Receives Nominations for various 2020 Awards
UPDATED: 26 APRIL 2021
Unsurprisingly Tenet won an Oscar for Best Visual Effects and rightly so. That plane crash was spectacular! Congratulations to Scott R. Fisher, Andrew Jackson, David Lee, Andrew Lockley.
UPDATED: 12 APRIL 2021
Tenet won the BAFTA award for Special Visual Effects
More nominations and wins for Tenet after the cut
LAX Airport Shares Robert Pattinson BTS “Tenet” Film Info
LAX Airport provided some background info on the filming of Tenet. I don’t think I realised that was LAX – clever.
Christopher Nolan’s 35 Best Shots According to IndieWire
IndieWire posted an article of 35 shots that define Christopher Nolan’s career and there are quite a few from Tenet including this BTS shot with Rob.
Post-Climax, “Tenetâ€
“Tenet†is one of Nolan’s busiest films when it comes to visuals. There’s constant motion in the majority of frames to emphasize the narrative’s momentum forward and backward in time. No wonder it’s such an effective choice to mark the end of the movie’s climax with this expansive still shot of Aaron Taylor Johnson, John David Washington, and Robert Pattinson. Recalling the scope of Nolan’s favorite filmmakers David Lean and Sergio Leone, the still feels almost otherworldly and suspended in time due to its vastness and the brownish, almost-apocalyptic hues of the color scheme. It’s at this point in the film where Nolan allows the viewer to start breathing again, and it’s the perfect image to exhale on.
Click on the link above to read the full article.