Film Journal International has a feature in their April issue for The Lost City of Z

 

Robert Pattinson Talks to Welt about The Lost City of Z and more

 

From Welt:

Being on Hollywood’s A-list, his own fame still seems to perplex him somewhat. Robert Pattinson‘s weapon: a self-deprecating sense of humour. An encounter with the British actor in Berlin.

Robert Pattinson perches on the edge of a yellow sofa and fiddles with a bottle opener. The soft drink in front of him has been open for a while, but he doesn’t put it down. The British actor is nervous; his fingers continually stroke the wavy steel object as if it were a worry stone. He doesn’t like the media circus and rarely gives interviews like this one at Berlin’s Hotel de Rome.

Since the boy from Barnes in South West London was thrust into the limelight – where he has remained for the past ten years – he has feared talking nonsense or divulging details about his personal life, both, to him, are equally horrifying. His weapon: a self-deprecating sense of humour. Time and again he lets out a loud peel of resounding laughter, to make it clear just how laid-back he wants to be.

Because the problem is, the thirty-year-old shot to global fame with the Twilight saga and he has been trying to shake off the role of the romantic vampire Edward Cullen who fell in love with mortal Bella ever since.

 His new film is also such an attempt. In the epic The Lost City of Z Pattinson plays neither the beau nor the seducer. In fact, (forgive me) he’s not even good looking. For his role as researcher Henry Costin, he fasted, let his beard grow out and had a prosthetic gaping wound crawling with maggots glued onto his sunken cheek.

„I think pretty much every actor feels like a fraud“

“We used real maggots, it was disgusting,” he laughs loudly as he talks about shooting the film in the Columbian rainforest. “The maggot scene where I ate one from my face was actually cut out of the movie.” Instead there is a second where Costin’s shirt rides up as he bathes in the Amazon. Revealing his back. No, there are no nude scenes, not even a kissing scene, with Robert Pattinson.

…

“I think pretty much every actor feels like a fraud in some ways,” he says self-critically, as he strokes his two-day beard with his free hand. He doesn’t know why. “Perhaps they’re a type of people who are attracted to playing other people, I guess.” His own fame still seems to perplex him somewhat.

“I‘ve never really thought about a career“

…

“Every movie you do is like going to acting school. You don’t need a teacher, you can find one in every director,” says the self-taught thespian today. He finds it strange to think that there is only one prescribed or correct way to play a role. “It’s all totally random.”

Not Robert Pattinson. At 22 he became a sought-after sex symbol in Twilight. At 23 his salary hit the 20 million mark – he had made it onto Hollywood’s A-list. “I‘ve never really thought about what everybody else wants,” he says, almost apologetically. “Or not even about a career! Maybe one day I’ll have to.” Another loud laugh. Ha ha. “Might be coming pretty soon.”

Too late. In 2010, Forbes and Time Magazine named him as one of their 100 Most Influential People.

“For me, the uncertainity is part of it“

…

During the Twilight years, which continued until 2012, Pattinson decided to emancipate himself from the character. An almost impossible undertaking. He shot one to two additional films per year, many arthouse and independent projects, but the catch was that in every one of those years there was also a reunion with Edward Cullen and his brown contact lenses.

Doubts still eat away at him, he admits. “For me, the uncertainity is part of it,” Pattinson says of his inner drive. He can’t stand actors who are conceited and think they’re not going to mess this up. He likes the idea that for every performance there is the chance of complete failure. “It’s like watching a concert or something, you kind of want this teetering on the edge, like your life could just fall apart.” Big words, romantic words, more film than reality.

„I don’t know really how to appeal to people“

Up to now there have been no stories of pretentiousness or tantrums on set; instead he reads the classics while working. He takes the business more seriously than he takes himself. “When you’re on a job you can have all the training you want. If it’s going to go wrong, it’ll just go wrong. It’s a kind of weird alchemy that needs to happen to get something interesting.”

Practically every director praises Robert Pattinson, his seriousness and his talent. When he hears such compliments himself, he rumples his hair, like he’s doing right now. His name has become a door opener and a box office guarantee, yet he doesn’t appear to trust the hype about himself.

When he meets loyal fans at film premieres, he takes the time to give autographs and smiles for the cameras. They camp out overnight to catch a glimpse of him at premieres and scream from talkshow audiences, he often seems overwhelmed by the force of adoration. As if he can’t quite believe it’s really for him.

“I don’t know really how to appeal to people and do things that they want, because that changes so quickly.” He claims it is practically impossible to predict what will go down well. “Other than,” he says, cracking up, “doing another Twilight movie.” But then the vampire must be allowed to have aged a bit by now, surely? He stops short. “What do you mean”, he says, jokingly indignant, “I’m too old to play a 17-year-old?” Again, there’s that Pattinson laugh. Of course he could. Clean-shaven. His fans would go crazy, but for him it would be a step backwards.

This evening he’ll be confronted by a screeching mob at the Zoo Palast, the same as always, despite his beard and scar in The Lost City of Z.

„At the end of the day, you’re gonna die alone“

“How I chose things is very easy for me,” he says, the bottle opener still in his hand. As a rule, he only does things that excite him. With this film, he liked the fact that the men were following their aspirations. “Yes, it’s incredibly selfish, but at the same time, eventually, at the end of the day, you’re gonna die alone. You have to do what you have to do sometimes. Sometimes a dream can be at the expense of everybody else.” Again, those are some lofty words. And he laughs.

He has had to give up some dreams of his own. He wanted to be a musician; he had a band, he can sing and play piano and owns over a dozen guitars. One of his two sisters is a singer and dissuaded him. But Lizzy Pattinson’s opinion wasn’t the decisive reason. He is afraid that his audience will never see him as Robert Pattinson on stage, but rather always as Edward Cullen.

 Robert Pattinson interviewed by Metro UK

All I’m going to say is – Robert confirms he’s doing music for Damsel in his interview with Larushka Ivan-Zadeh for Metro (UK).  Larushka tweeted us a link to her interview.  Here’s an extract:

Rob on… …starving himself for The Lost City Of Z

‘Charlie [Hunnam] was extremely militant so I couldn’t slip off my starvation diet – we were in the same hotel and he stayed in character all the time. There was this chocolate brownie on the menu and I kept thinking: “When I finish I will eat that and it will be amazing.” I did, and it was one of the most horrible experiences because my body rejected it.’

…his loyal Twihard following

‘It is nice knowing there are people who are watching my progression and that they found you in one thing and stay with you. It’s sweet because my jobs are going to get weirder. This year I have tried to accelerate that road to weirdness.’

…his music

‘I don’t play that much any more, though I am doing music for a movie I’m in with the Zellner brothers called Damsel. I used to differentiate between music and acting but the more I don’t play music, the more I push that area of my brain into acting.I improvise like I would when I play music.’

The Lost City of Z in French magazines

Here’s a few French magazines featuring The Lost City of Z

Elle France:

 

What if the taste of adventure was the ultimate passion? Three years after “The Immigrant” James Gray speaks to us again of a fiery and tormented destiny. Here is that of the English explorer Percival Harrison Fawcett, mandated in 1906 by the very chic Royal Geographical Societe of England to map the borders between Brazil and Bolivia. In the heart of the amazonian jungle, he discovers traces of what he thinks is a very old lost city. All knowing, he never ceased to return there to reveal his discovery. Carried by Charlie Hunnam – … – the film dissects the inner conflicts of the explorer: the quest for success while assuming his responsibilities of husband and father. Should he sacrifice his loved ones on the thicket of ambition and vanity? In a sumptuous decor, some scenes make us think of Aguirre, the wrath of God “fitzcarraldo” or even Apocalypse Now Simply grandiose.  (via google translate)

More after the cut

 Robert Pattinson filming The Lost City of Z endured flash floods and burrowing insects

Travel & Leisure in the lead up to the US release of The Lost City of Z have provided a behind the scenes article on what it was like filming The Lost City of Z in Colombia.  Below is an extract:

It took place in Tayrona National Natural Park, on Colombia’s Caribbean coast, which stood in for remote interior Brazil. The cast members, including Charlie Hunnam and Robert Pattinson, were installed at the Villa María, a nearby eco-lodge overlooking the sea, but the comforts ended each morning at five when they boarded rafts and headed up the Don Diego River to begin filming. While most visitors to the park encounter pristine beaches and picturesque hiking trails through the rain forest, the actors had to endure flash floods, monkeys throwing dung, burrowing insects, and black caimans that interrupted shots. “We were on the edge of absolute disaster the entire time,” director James Gray said.

Click on the link above to read the full article.

Thanks Posh.

Robert Pattinson and The Lost City of Z in Mad Movies (France)

“Between the Madness”.  The intro to the article via Google translate:

Ten years after We Own the Night, James Gray tackles a forgotten genre by embarking on a journey to the end of the green hell. In passing, he takes the opportunity to sign the most beautiful film of his career