Two Deleted Scenes from The Lighthouse Featuring Robert Pattinson

Below are two deleted scenes featuring Rob in The Lighthouse.

Full scenes

Thanks @Monsieur_HJ

New Still of Robert Pattinson as Officer Mandel

Storyline PR has shared this fabulous new still of Rob from Waiting for the Barbarians on their Instagram today.

The Casting Frontier Discusses Robert Pattinson in The Devil All the Time

From Casting Frontier:

Robert Pattinson’s portrayal of the duplicitous southern preacher Preston Teagardin in Antonio Campos’ The Devil All the Time is clearly a watershed moment for the young actor..it could be credibly argued that the wicked Reverend Preston of The Devil All the Time is next-level stuff. So convincing is Pattinson’s performance as a born and bred southern-fried evangelist, it’s hard to believe he is actually a genuine posh English chap. The accent he conjures for the violent gothic thriller is something out of a very rich, intriguing, mysterious, and beguiling place—and it was all forged by Pattinson himself!

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As any actor knows, acting isn’t merely learning the lines and reciting them with an appropriation of verisimilitude and feeling. It’s about discovering the soul lurking within the character at hand and exploring the possibilities. Exploring the idiosyncrasies of that unique and particular creation. Then performing it all with creativity, passion, and imagination.

Normally, it takes a lot of preparation, time, and hard work alongside a vocal coach for actors to master their character’s accents. Granted, some performers must really struggle at the methodical task. Others seem to pick up the many subtleties of speech with relative ease. But in this case, Pattinson tried a new approach—a playful approach.

It serves as a reminder to think outside the carton, take a few risks, dare to look foolish. Perhaps something extraordinary will be the result—just look at Robert Pattinson in The Devil All The Time.

Robert Pattinson The Batman Using Mandalorian Virtual Production Techniques for Selet Scenes

From The Hollywood Reporter:

Warner Bros.’ The Batman, which is currently filming in the UK, is using virtual production techniques for select scenes, Industrial Light & Magic chief creative officer Rob Bredow revealed on Monday, during a featured session from this year’s virtual VIEW visual effects and animation confab.

Virtual production — a term generally used to describe techniques that enable real-time visual effects production — has been steadily growing in popularity, particularly with Jon Favreau’s uses on The Lion King and The Mandalorian.

Bredow declined to detail work on The Batman, only saying the production design team had pre-built practical sets in the UK and an LED wall was built around these sets to enable use of virtual production in those specific scenes. He added that this meant the ILM team could continue to collaborate with Batman DP Greig Fraser, who recently won an Emmy for The Mandalorian and also shot Rogue One: A Star Wars Story.

And for those like me who need layman’s terms on what this means – Collider provides the following:

Briefly, what made The Mandalorian cutting-edge was the ability to render virtual backgrounds in real-time on an LED wall using a game engine. This meant that scenes set outside on a cold planet, indoors at a tavern, or in a massive star-ship hangar could all be shot on the same soundstage with the VFX background rendered in real-time. Meaning you didn’t have to wait 9-12 months for the post-production team to create the background after the fact.

The connective tissue here is Fraser, the DP behind both the first season of The Mandalorian and the highly anticipated reboot The Batman. He helped develop the virtual production technology and ensure it worked in a cinematic way, and when I spoke to Fraser earlier this year during an extended interview about his career, he predicted almost every film in the future would be using this technology:

“I see a world where almost every film will use this technology in some way, shape or form. Be it from a $250 million blockbuster down to a $2 million independent movie using it for one sequence that they dry hire a studio that’s already been built and they get in there like a location. So I believe when the technology kicks on and gets widely adopted, when people understand what it can do, I believe it’ll be used quite a lot.”

Robert Pattinson & John David Washington promotional still for Tenet

We previously saw this photo as a poster, now thanks to the official Japanese Tenet website, we have it untagged.

Robert Pattinson #Tenet Box Office Updaes

UPDATED: 19 Oct 2020 – Global hits $333million+

From Box Office Pro:

Still demonstrating strong legs, Tenet eased just 25% to third place with an estimated $1.6 million in its seventh weekend on 2,001 screens. That gives the Christopher Nolan title $50.6 million in North America to date, about 32% of which has come from premium and large formats. Warner Bros. notes that five of the top 10-grossing theaters were in the Seattle area, where many theaters reopened this weekend.

Overall, the top 10 DMA markets for Tenet this weekend were: Orange & Riverside Counties/Greater Los Angeles; Seattle; Greater San Francisco; Detroit; Dallas; Salt Lake City; Chicago; Sacramento; Phoenix; and Greater New York – NJ/CT/PA.

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Internationally, Tenet grossed an estimated $6.6 million this weekend, bring its overseas cume to $283.3 million and its global tally to $333.9 million. The film held well in several markets, including Japan (-36%), Germany (-17%), Russia (-19%), Holland (-35%) and Australia (-42%). International admissions now stand at 35.7 million; Tenet next releases in Brazil and Panama on October 29.

From Screen Daily concerning UK box office:

Warner Bros’ blockbuster Tenet topped the UK box office for an eighth consecutive weekend, as takings for the top five titles decreased 39% on the previous session.

Tenet added £186,000, a fall of 37% on its previous session. It now has £16.9m, and will likely fall short of director Christopher Nolan’s Interstellar, which made £20.7m in 2014.

It is still the third-highest-grossing film of the year in the UK, behind 1917 (£43.8m) and Sonic The Hedgehog (£19m).

Previous international box office after the cut