*New Pics* The Rover Round Table Interview with The Establishing Shot
The Establishing Shot was at the roundtable that Live for Films and THN were at as we previously posted, but here’s one question the others didn’t post:
Guy & Rob can you tell us a little bit about the differences in working on big films like Marvel franchises and the Twilight series as opposed to The Rover which has a has a much smaller independent feel to it?
Guy Pearce: We were discussing this yesterday. Often really the differences are the people you are working with, so there can be massive differences between one film and another – purely because they are in different countries or different people but the budgets are the same.
I think when it comes down to it and you are standing in front of the camera and you are acting and you have a director who wants a particular thing and you are just trying to successfully do what it is that you – there is no difference really. But if you stand back there are lots of executives standing around being nervous about lots of money, on a film like The Rover or Iron Man 3, although they weren’t particularly nervous about their money and they were pretty confident about it, the whole Marvel team I think.  But you are aware that it is bigger, in a way I prefer the more intimate situations, you can get answers out of the people you want answers from as opposed to hold on I need to find out from the hierarchy if we can change that word.
Robert Pattinson: I think The Rover is a more extreme example as well. When you have a big budget it creates expectations of how you are supposed to be treated. When we were out there, there was literally no option other than staying in a shipping container. It’s kind of nice, everyone is on totally equal footing. It doesn’t let your vanity take hold.















Cindy
And i bet the “publicity department “of The Rover didn’t have a “say ” in any of the movies scenes *snorts*
Trish
I love the way these three men interact – there’s such a genuine warmth there – it’s apparent in every photo and interview they’re in. I don’t know if it’s the norm when making a film, but they seem to have forged a bond that is very like a team of brothers. Apart from the sublime art they create, watching them together is also a real joy to watch.