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Respecting Rob because actions speak louder than words.
An exclusive article, with new BTS stills (featuring Rob) from photographer Aidan Monaghan, is included in the new issue of Entertainment Weekly. Click on the EW link to read the article in its entirety.
Robert Pattinson featured in Harpers Bazaar UK May issue
The UK premiere and after party for the cast of ‘The Lost City of Z’ took place at the British Museum in February and this brief write-up, with a lovely new photo of Rob, is featured in the May 2017 edition of Harpers Bazaar UK magazine.
The Lost City of Z is featured in the March edition of SO FILM magazine
Translation via Google
Darlingof movie-goers,JamesGrayhasmanagedtofinish his most ambitiousproject,thedoorofheaventohim– the United Artistsreadytoruntohimandless.Thejourneyofthislittle delicateintelligent redhead fromQueensinthedepthsof the jungle deservestotake stock, looking carefullyatthemap, toask yourself:what exactlyis the cinema ofGray?
Thefilms of JamesGray are alwayscharacterisedby agreatrighteousness.His moviesare straight lines indeed likethoseofthesubwaytracks sabotagedinTheYards,hissecond achievementin2000.That isthe firstrectitude,thattragicrail, thatoftenseems to slidewithout tofindthegoodturnoutfor changeof itinerary.Ifthereareflights, spirals ofaccelerationor hot flashes excitement,Grayisnaturally onframesveryposedandcomposed. And If heis a cinephile,he is empoweredasaneoclassical :itdoesn’tslicereferences, Hereplaysthemtohim suffocated,macerated intheimpeccablegrey-brown,thegreys, hisphoto.Strengthandlimitedfirst so:thatunstoppablesideinelegance andalsoseriously.Thelipsare still alsostraightGray’sHouse:not humorandlittlesmilesathim–ifthis isinthesingularTwoLovers(2008). WhenJoaquinPhoenixplayedanendearing ninnywideshoulders,tornbetweentwo women,finallyintheforegroundwithout being mothers. BecausethisrighteousnessofGrayisofcoursebefore allmale:forthemostpart,.hischaractersaretheavatarsof a manhoodbittalky,cut offfromhisdesires, making suretogivethe appearanceof ablock Whenitis,inalllikelihood, crackedeverywhere.Anoldmodel, whichfilmhaswornandwornuntil therope.Unabletogrant thecircumstancesandunreadablehearts, Theseguyshereclingtorigidity, whetherconqueringorscowling. Westicktoasingleline,andonthe decreedright,persiststothe end theendandwhenyoucaremore, jump onanotherline–whereasrighteousness Paradoxically, eventuallyseemtwisted: Graymenarecapableof abrupt,unexplainedreversals.This snot a caseofduplicity:maybe theysimplylackimagination. Alsouncontrollablemaytheyseem, maddogsmostoftenalignthe familyhome. Inthesecircumstances,Graydoesnot.He mustinsteadstatethatit isinevitable whoalwayslandshimtop–thisarea greybetweenrealismandrefusalofthe elucidation psychological,silenceandtemptationof emphasis:bulliesalwaysend byquitabigstatement solemnlove,attheedgeof the religiousrevelation.The filmmakeris toosmartnottounderstandthat Thismanhoodthereispossibly only renunciation,blindnessorsimply comfort. So far,Grayisitself stayedhome,filmingonlysound NewYorknativeandfamilyexecutives, In additiontwiceanchoredin hiscommunityof origin,thatofthe Jews Russians.Fromthispointofview,itisalso rightinthesense ofhonest:hedoes not hide homebodiesinclinations.Besincere, however,doesnotprotectcompletely from the Ronron.WeOwntheNight(2007)in wasthecuriousallegory:at Trac,aparty animalbecamea COPlike of othermeninhisfamily,asis it wasonlycelebratethestrength (includingneoclassical)order.