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Respecting Robert because actions speak louder than words.
Robert Pattinson as Ephraim Winslow in The Lighthouse
Here’s some great stills from The Lighthouse – some of which are spoilerish so I have placed all but the one above behind the cut. If you don’t mind spoilers, you can also check out all the stills so far at our gallery
Robert Pattinson Nominated for Best Lead Actor for the Spirit Awards
The nominations for the 2020 Film Independent Spirit Awards have been announced and Rob and The Lighthouse have been nominated for the following *fistpumps*:
BEST MALE LEAD Chris Galust, Give Me Liberty Kelvin Harrison Jr., Luce Robert Pattinson, The Lighthouse Adam Sandler, Uncut Gems Matthias Schoenaerts, The Mustang
BEST DIRECTOR Robert Eggers, The Lighthouse Alma Har’el, Honey Boy Julius Onah, Luce Benny Safdie, Uncut Gems Josh Safdie, Uncut Gems Lorene Scafaria, Hustlers
BEST SUPPORTING MALE Willem Dafoe, The Lighthouse Noah Jupe, Honey Boy Shia LaBeouf, Honey Boy Jonathan Majors, The Last Black Man in San Francisco Wendell Pierce, Burning Cane
BEST CINEMATOGRAPHY Todd Banhazl, Hustlers Jarin Blaschke, The Lighthouse Natasha Braier, Honey Boy Chananun Chotrungroj, The Third Wife Pawel Pogorzelski, Midsommer
BEST EDITING Julie Béziau, The Third Wife Ronald Bronstein, Benny Safdie, Uncut Gems Tyler L. Cook, Sword of Trust Louise Ford, The Lighthouse Kirill Mikhanovsky, Give Me Liberty
Surrender to the charming self-deprecation of Robert Pattinson
Glenn Whipp of the LA Times recently sat down again and spoke with Rob. Here’s an excerpt of his interview – you can read the whole interview HERE
“I’ve always been fascinated by someone who tells me, ‘I like your choices in that scene,’ because I don’t even know what the options are,” Pattinson says, giggling. “I feel like you have a thick membrane of consciousness and you’re digging inside yourself, trying to find one little idea and hope it works. It’s an all-consuming terror and it has been there from the start. I have no idea what I’m doing. I’m just tossing a coin, relying entirely on luck.”
And, yes, this is ridiculous, and Pattinson, 33, knows that full well. But in recalling his transition from playing the vampire romantic Edward Cullen in the “Twilight” franchise to making strange, art house movies that people might stumble across at 2 in the morning and think, “What in the name of God is going on here?,” Pattinson can peg the pivotal moment.
“It’s when David [Cronenberg] called me for ‘Cosmopolis,’” Pattinson says, referring to the 2012 movie in which he played a Wall Street titan crawling across Manhattan in a limo. Before that, all his auditions were for mainstream movies. “I didn’t know you could go after the people you wanted to work with. And that’s what I’ve done the last eight movies.” That includes “The Batman.” Pattinson read about Reeves making a noir “Batman” movie and thought, “I haven’t done a big thing for ages. This is the one I want.” (His agents were shocked.) He badgered Reeves, met with him and producer Dylan Clark a number of times and finally secured an audition. He spent three weeks preparing for his audition scene only to have all his work cast aside once he put on the Batsuit.
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